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' You (Northern Breeze)' was one of the last reworked tracks, and was described by Hamasaki as being influenced by Western music. The album included the original version of 'Key (Eternal Tie)' as Hamasaki felt that the original was 'more important and unknown' than the proposed-reworked version she had planned. According to Hamasaki, she had asked the group to re-compose their original version of the track in order to reflect 'current themes of 2003.' ' Appears' was remixed by Japanese group HΛL. The song was described by a staff member at CD Journal as an 'organic midtempo pop ballad' song. According to Hamasaki, she wanted to reflect the emotion and words used in each 100,000 messages she received from her fans to create the song, but because there were numerous emails, she decided to write it as a summary and her feelings as an 'aftermath' from reading the messages. The first song, 'Rainbow', was originally composed by CMJK, but Hamasaki felt the finishing product was 'missing something', and re-worked the demo version with Japanese musician Dai Nagao. To explain Hamasaki's the background and development, Hamasaki hosted a commentary on her website.

I read all of the messages and then wrote lyrics based on what I felt afterward.'

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But I thought that a professional writer would do a better job of tying these words together in a piecemeal manner than I. Some of the messages I received were very sad, while others conjured up happy images and colors. 'I really wanted to hear (read) all of the messages that were sent in (both lyrics and themes), because if 100,000 people come together, they will see things in 100,000 different ways. Seven of the album's tracks-' Appears', ' You', ' To Be', ' M', ' Seasons', ' A Song for ××' and ' Who.'- feature new arrangements and compositions, while the songs 'Key', ' Hanabi', ' Dearest' and ' Voyage' are included with their original versions. The album consists of fifteen tracks, including two new recordings-'Rainbow' and a cover version of Japanese singer Yumi Matsutoya's 1975 track 'Sotsugyō Shashin'. Six of the tracks on the album were composed and co-produced by Hamasaki, who used the alias Crea. Each track from the album was released either as a single or as a promotional recording, recorded between the years 19. Ī Ballads is Hamasaki's first compilation to compile songs that were inspired by ballad music, with it portraying her second greatest hits album after A Best (2001). It was with 'Rainbow' that decided to give this approach a try'. During the process, Hamasaki confessed that ' had never before written lyrics that were based on messages received directly from fans. Due to the mixed response of her fanbase, Hamasaki decided to develop the song further and release it as part of an upcoming compilation album, which was later named A Ballads. During its promotion, Avex Trax and Hamasaki received over 100,000 messages from fans, telling them their opinions about the unfinished demo.

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Early issues of the album included a code number and URL address that allowed customers to visit an exclusive website that promoted the album and listen to a 40-second demo of her unfinished song 'Rainbow'. In December 2002, Hamasaki released her sixth studio album Rainbow. The album experienced limited promotion during its release, with some of the tracks appearing during Japanese commercial endorsements. It was certified Million by the Recording Industry Association of Japan (RIAJ) for shipments of one million units. Commercially, the album was a success in Japan, reaching number one on the Oricon Albums Chart, making it Hamasaki's second compilation and eighth album to reach the top spot. Minor criticism was aimed on the newer renditions of the original songs. Many praised the collection for including some of Hamasaki's best vocal work, and commended the songwriting. Released in six formats featuring a photograph by JFKK, A Ballads received favorable reviews from music critics. With all the tracks written by Hamasaki, it includes two new songs-'Rainbow', which served as the album's promotional single, and a cover version of Japanese singer Yumi Matsutoya's 1975 track 'Sotsugyō Shashin'.

The compilation compiles ballad-inspired singles released by Hamasaki between 19, while the material is divided into new-arrangement remixes and the original versions.

It is her first compilation release in two years since A Best it premiered three months after her sixth studio album Rainbow. It was released physically on Mathrough Avex Trax, and digitally distributed worldwide on Septemby Avex Entertainment Inc. A Ballads (stylized as BALLADS) is the second greatest hits album by Japanese recording artist Ayumi Hamasaki.